Tell me what cannot be filmed. That’s the brief.

How we work.

Every film begins with a conversation about what you actually need: a single scene, a holiday greeting, a launch, a season of work.

From there the shape is the same. We agree on the idea. I make one scene from it, so you see the world before you commit to it. Then we build the film, refined together until it is right.

Master files and full usage rights are yours on delivery. The characters are original, never a real person’s likeness. Most films deliver in two to five weeks.

I also work inside other people’s productions. For production houses and agencies, I direct the shots that are expensive or impossible to film, under your name and under NDA. It starts the same way: one shot from a live brief, so you can judge the fit before anything is agreed.

My training is in film, at Tel Aviv University, and in performance, at Central Saint Martins in London.

Scope and timeline follow the work, not a menu.